Showing posts with label peach. Show all posts
Showing posts with label peach. Show all posts

Friday, September 21, 2012

Peach Ratafia; There's Still Time

I didn’t make noyau this year — but when Jane Lear broke out a vice and a quart of brandy, she reminded me that it’s not too late to get a batch ready by Thanksgiving.

Still Life: Jane Lear's Recursive Ratafia
Lear is the features director at Martha Stewart Living, was an editor at Gourmet before the magazine folded, and has a stack of cookbooks to her name. Recently, she emailed about peach ratafia, thus confirmed a long-held belief that a note from Jane is a reason to smile. The recipe she’d followed, from Helen Witty’s book Fancy Pantry, is close enough to the ratafia aux noyau recipe we make (usually) around here that they can be used interchangeably in cocktails, aperitifs, and baking.

In her post Obsession: Peach Ratafia, she makes a distinction between familiar wine-based ratafias and those based on brandy:
The peach ratafia I’m talking about is different. Based on brandy and peach pits (for color and an almondy flavor), it has more in common with the ratafias of the Georgian and Regency eras, which today have their own Facebook pages. I would kill to have a conversation with Jane Austen or Georgette Heyer about that fact.  
But instead I turned to Gerald Asher, Gourmet’s wine editor for 30 years and the author, most recently, of A Vineyard in My Glass, for context. ”Ratafia was originally the unfermented sweet grape juice preserved and stopped from fermenting by adding brandy,” he explained. That brandy, he noted, was usually young, fiery stuff, not aged Cognac. “The French—women, mostly—drank a small glass of ratafia as an aperitif, in the same way the French drink a small glass of ruby port, or concoctions like Lillet or Dubonnet.” 
Fortunately, noyau can be made year-round, even with out of season peaches, since its defining marzipan and almond tastes are derived from kernels within the peach pits. Lear’s peach ratafia, however, calls for fresh peach slices in addition to cracked pits from those fruits.

Now that our days are growing shorter, decent peaches are becoming scarce, but if you can lay your hands on some, try her version. The advantage of Lear's approach over mine? Her's yields a batch of brandied peaches as well as the cordial. Not, it should be noted, a horrible thing.

Monday, September 5, 2011

It’s All Going to Biscuits

Summer slurs into Autmn subtly in Southern California, but there's no denying that cooler weather is creeping upon us.

With the onset of light blanket nights, I’ve begun drinking more hot tea and resumed baking — pies mostly, but buttermilk biscuits as well. These are for me comfort foods and lately I’ve been craving a bit of comfort.

Biscuit, butter, and peach preserves
But hot buttermilk biscuits cry for some kind of...something, even if it’s just butter or honey. So, before Summer slipped way entirely, I scored one last flat of peaches and made a big jar of preserves for slathering on my steamy little indulgences.

There had been vague plans for using these peach preserves in a barbecue sauce, as a base to sweeten and flavor juleps, with roast pork, or maybe even to complement a batch of bitterballen, but at this rate, I think it’s all going to biscuits.
Peach Preserves

About 2.5 pounds ripe peaches
2.5 cups sugar
2-4 oz fresh lemon juice
one half teaspoon unsalted butter

Plunge the peaches in boiling water for about 1 minute to loosen the skins. Remove them with a skimmer to an ice bath and slip off the skins. Cut the skinned peaches in half, remove their pits, and cut each half into small, bite-sized pieces. Place the pieces in a large, heavy, nonreactive pan (I use a big old enameled Le Creuset Dutch oven). If you prefer an even more fine preserve, use a pastry knife to cut pieces into bits a little larger than grains of rice. Add the sugar and lemon juice. Let stand about ten minutes.

Turn the heat to high, add the butter (to help tamper down foaming) and cook about 10-14 minutes, until it holds its shape on a chilled saucer.

Ladle into jars and either process or keep in the fridge.

Makes about a quart of preserves.

Goes well with:

Friday, November 12, 2010

Gretchen Worden’s Fish House Punch (and a Funky Manger)

My first encounter with a bowl of punch — not the frat house version slopped together from whatever alcohol is cheap and plentiful, but a more stately Philadelphia Fish House Punch — left me positively besotted.

Gretchen Worden was a friend, but she was also director of the Mütter Museum. Housed in Philadelphia’s College of Physicians, the Mütter is a museum of medical history and pathological anatomy. I’d moved to Philadelphia as a young curator with a few freshly minted anthropology degrees for the opportunity to work with that collection.

Just before Christmas 1996, Gretchen hosted a gathering at her home for friends and employees. Our holiday chit-chat was less about Santa and his elves than disease and deformities. At this party in her home were two things I‘d never encountered. The first was a little manger scene that had grown over the years to spread over most of her fireplace mantle. In addition to the traditional stable, shepherds, wise men, and whatnot, it included toys ranging from a dollhouse refrigerator and microwave to Star Wars action figures. There were plastic fly larvae (“Gift of the Maggots,” she wryly quipped out of the side of her mouth. Leaning in closer, she placed her hand on my arm and confided: “They glow in the dark.”). Joseph was holding a camcorder, R2D2 had joined the shepherds’ flock and I think — though certain memories of the evening are less reliable — that the manger itself was occupied by either Yoda or one of the brown-frocked jawas.

The other thing I’d never seen before was a big bowl of Fish House Punch, a compounded drink that dates back to Philadelphia's colonial past. I didn’t realize anyone made it anymore, but it turned out that for years Gretchen had been whipping up and aging batches of it using an 1950’s recipe. The technique isn’t what you might see in high-end bars today, but the effect is no less potent. She advised serving it very cold so that one did not have to dilute it with ice. Wicked, wicked woman.

As an experienced homebrewer of beers and ales, the tiny punch cups (little more than demitasses, really) that accompanied the bowl seemed, well, stingy. Used to quaffing homemade beverages in great quantity, that’s exactly what I did. Frequent refilling required us to gather around the bowl. As a result, the conversation flowed like punch.

I do not recall how I got home.

I do not recall whether any Fish House Punch was left.

I do not recall whether I dreamed of baby Yoda or glow-in-the-dark Yule maggots.

I do not recall, most pointedly, wanting another drink for several days.

Gretchen’s recipe is not a wholly authentic recreation of 18th Century Fish House Punch, but it is sly and potent. The peach brandy I used to make it was sheer bootleg — and really good — but drinks writer David Wondrich has suggested elsewhere that a 3:1 blend of bonded applejack to “good, imported peach liqueur” might work as a substitute. You may try commercial examples from Peach Street Distillers or Kuchan Cellars.

From my 2007 book Moonshine!, here’s
Gretchen Worden’s Fish House Punch

1 quart lemon juice (about 4 dozen lemons, squeezed)
1 ½ lb sugar
1 pint curacao, tangerine brandy or orange flavored liquor
1 pint dark rum
1 pint Benedictine
1 quart peach brandy
1 gallon bourbon
1 pint strong cold tea.

In Gretchen’s precise words, “Put the above gut-rot in a three-gallon jug and shake the hell out of it. Place the jug in a cool place and shake it once a day for at least three weeks; two months is better. Do not cork it tightly and keep it cool or chilled or else the lemon juice will cause the whole thing to go off. Serve chilled, not over ice.”
I might add: serve it in small cups.

Thursday, November 6, 2008

If I Had a Hammer: Ratafia aux Noyau Just in Time for Christmas

God bless Michael McGuan.

McGuan, our neighborhood wurstmacher at the San Diego restaurant The Linkery, emailed not long ago to say that he had collected a container full of peach pits for me. Unfurl that brow—this is hardly on par with saving last week’s Penny Saver or a clutch of candy bar wrappers. This was an actual favor, something that would have taken me a whole season of snarfing down cobblers, pies, crumbles, grunts, slumps, betties, smoothies, ice cream, and sangria. On a restaurant scale, however, such a collection of peach pits doesn’t take nearly as long. And, as they were destined for my house, they were wed with alcohol once they got here. Naturally.

Peach pits, also called stones and bunkers, have more value than might seem obvious at first blush. In a variety of forms—charred, split, still adhering to fruit flesh, fresh, dried, etc—they have long been added to moonshine, brandy, whiskey, and other distillates for the amber color and peachy-almond flavor they can impart.

Even more appealing are the kernels once those pits are cracked open. Peach kernels (noyaux in French) taste and even look a bit like small almonds. The smell strongly suggests both almond extract and fresh marzipan. That almond taste is readily surrendered to alcoholic solvents for a cordial with a decidedly old-fashioned taste of almonds and vanilla. Recipes for noyau, ratafia aux noyau, and crème de noyaux abound in older American household account books, recipe books, and homemade beverage collections where they almost always go by the French name. One still finds them in contemporary French cookbooks.

So, let’s make a batch!

Oh. Wait. Forgot something. Peach kernels, along with those of apricots, plums, cherries, and other members of the extensive family Rosacea, contain cyanogenic glycosides. Big whoop, you say, I need a drink, Pops, not a chemistry lesson. I hear you. Lord knows I’m not an environmental chemist, but those who know about such things say that on ingestion, these glycosides break down into prussic acid, also known as hydrogen cyanide (HCN), a substance listed under Schedule 3 of the Chemical Weapons Convention.

Right there, smack dab on your bar cart.

You might recognize hydrogen cyanide as the primary component of the German gas chamber extermination agent Zyklon B. So, no fooling, crème de noyaux carries an element of danger.

Now, do you want to make a batch? I do. In small doses, noyaux does not seem to have ill effect—New Orleans Creoles have reputations for many things, but regularly keeling over from cyanide poisoning with a cocktail glass in hand is not among them. As Erik Ellestad writes over at Underhill Lounge in regard to apricot kernels, “Please take anything I say here as simply conclusions and choices I have drawn for myself. Make your own choices and draw your own conclusions.” I couldn’t agree more.

From the 4th edition of Picayune’s Creole Cook Book (1910), here’s the original recipe and proportions for this old New Orleans classic:
Peach Kernel Ratafia
Ratafia aux Noyau de Peches ou d’Abricots
¼ pound each of peach or apricot kernels
4 pints of brandy
2 ½ pounds of sugar

2 pints of water

Pound the peach or apricot kernels – some also pound peach stones – steep them for one whole month in four pints of brandy in an earthen jar, and at the end of that time add a syrup made of two and a half pounds of sugar and 2 pints of water. Mix all well together, and then filter as directed above
[sic: below], and bottle and seal, and keep in a cool, shady place.

Ratafia aux Noyau is one of the standing Creole drinks, that is most agreeable, the taste being of a delicate vanilla and almonds combined.

A note on procedure: Peach pits are hard and cracking them takes some force. I use a hammer and rap the bunkers firmly on concrete outside until they split in half, then just pry out the kernels. Hammer the pits on a cutting board and you'll just deboss their images into the wood. I heard someone might have done that one time. If you like, put them in a towel before hitting to contain any flying bits, but controlled smacking should prevent peach shrapnel.

I cut the recipe in half (not for lack of brandy, but for the limited amount of kernels) and am macerating the crushed kernels and half their stones cracked and crushed into small bits in a brandy bottle. Come December, I'll add the syrup, let it mellow bit and see what we get. Here's hoping I don't take a big dirt nap...

Also from the same edition of Picayune’s Creole Cook Book:
How to Filter Cordials and Ratafias.

The filtering is of the utmost importance. A good home-made filter may be improvised by fitting pieces of felt into a funnel, very closely. Some use flannel, but the felt is far better. Filtering paper is sold by all druggists. Put the funnel in the mouth of the bottle, fit in the paper, pour in the mixture and let it filter slowly. Again, others use the ordinary brown or white paper, but this allows the aroma to evaporate, and the taste of the paper clings to the cordial. If you wish the cordial to be very transparent, take very dry, clear, transparent isinglass, and cut it very, very thin. Then dissolve it with white wine until it is perfectly liquid. Put it into bottles and preserve for use. When needed, coat the inside of the strainer with this, using a light brush or sponge. It will form a glue around the funnel. Pour the cordial or liqueur through this, straining several times, again and again, until it becomes perfectly transparent. Strain it the last time into bottles, and seal very tight. You will then have a clear, limpid cordial or liqueur that will not have lost its aroma by evaporation.

This simple method may be understood by even a child, and homemade cordials are not only very delightful, but far less expensive than the imported ones. Always have the Cognac as old as possible.

Goes well with:
.