Showing posts with label collections. Show all posts
Showing posts with label collections. Show all posts

Monday, January 5, 2009

Proof of Too Much Booze?

As a 20-year “Friend of Bill W.’s” I am a bit embarrassed
by my fellow ex-drunks’ pious attitudes.

Sometimes I forget that I’m in the minority

and that the vast majority of people can drink

(and occasionally overindulge)

without grave consequences.


~ Bruce, voicing a minority comment
on Iain Gately’s “Besotted — Etymologically, That Is”


If you haven’t seen the blog Proof over at NYCTimes.com, go check it out. Articles approach alcohol and drinking from diverse angles as contributors “consider the charms, powers and dangers of drink.” Writers include Paul Clarke, Susan Cheever, Glenn Eichler, Iain Gately, and others. If you read AND drink (or used to drink), they may be familiar names. Particularly revealing are the comments sections of each article. It’s here where drinking and abstaining Times readers duke out their differences.

Among non-drinkers, comments typically range from tight-lipped disapproval to off-the-charts sputtering rage leveled against drinkers. One of my favorites is in response to Eichler’s list of alcohol-fueled lines from holiday parties (“None of these are real, and also they are not funny at all”—many of them are, in fact, funny: see below). But the sheer vitriol heaped upon drinkers by recovering alcoholics across all the stories was something of a shock.

It’s not that I don’t know recovering alcoholics. Of course I do. Given the role alcohol plays in my professional life and the pleasure it’s given me personally, however, I forget on a day-to-day basis that drinking can be ruinous for some, that there are those who simply cannot or should not drink, and some for whom others’ drinking has presented heart-wrenching challenges.

For those of us who can have a drink or two, then stop, the proposition that casual enjoyment of well-crafted cocktails or fine spirits—even the occasional PBR—leads to ruination and ignominious death seems preposterous. But the implacable alcoholics and their joyless flames over at Proof set me thinking about the sheer volume of alcohol we have at home.

Well over a hundred bottles of liquor are readily apparent as visitors step into our living room. The copper-topped dry sink is covered with whiskey and brandies, its cabinet stuffed with single barrel bottlings and limited releases. The wheeled, two-tiered, mid-century bar cart is so laden with rums and caçacha that moving it is difficult. Bottles are filed by type and size in two additional closets and the kitchen counter is frequently host to bottles I haven’t filed or that I’m using in research, not to mention the various infusing, pickling, and candying experiments underway. In the last five years, our bowl of limes has gone dry exactly once.

Such a collection always seemed like…well, a working collection to me, a research tool—much like having a culinary library so extensive that I rarely need to leave to find that one bit of information I want to track down. Need absinthes for some 19th century baroque cocktail? Check. What about genever for a Dutch treat? Sure. What brandies are best for sidecars? Let’s find out. Does it really matter what kind of gin goes into a bijou cocktail? Here, try four small versions and be your own judge. Once we settle on the best gin for the job, let’s see what bitters make the thing shine. Just want a Jack and Coke? I can help you there, too, though I’m likely to try steering you somewhere else.

I’m looking at this forest of bottles in a new light now, though. A casual visitor could well be appalled at this collection, to see it, in fact, as a red flag indicating certain alcoholism and impending doom. I don’t and neither to the people who know me well. But still, there’s the matter of appearances. Perhaps more of this liquid library could go behind cabinet and closet doors.

I mean, really, do I need two dozen rums at the ready each and every day? We’re not talking about hiding the stuff (now there’s a trick that suggests someone should drop by an AA meeting), but maybe three or four rums for the cart are sufficient while the remainder rests a whole two meters away in a cool, dark place behind a door. That's better for the liquor in the long run, anyway.

I’ve got to mull this one over. If I don’t play this right, it means putting books in storage to make room for booze and that is truly the last step of a desperate book addict.

~ ~ ~

Excerpts from Glenn Eichler’s “Really, It’s the Booze Talking”

“Has anyone ever told you that you have the air of a much more successful person?”

“I don’t believe we’ve met. Oh, really? Right next door? Ten years?”

“We’re not really budgeted for a vacation this year, what with the exchange rate and my gambling addiction.”


“I have to apologize for not reading your new book yet. It’s just that the last one was so awful.”

“I don’t usually drink this much, but you’re insufferable.”


“I had pants on when I came in, right?”

.

Friday, June 20, 2008

Museum of the American Cocktail teeters on the cusp of opening


It is part Museum, part bar, and part Victorian bordello!


~ Museum Curator Ted "Dr. Cocktail" Haigh

Dr. Cocktail and Blake DeGroff (not at all affected by paint fumes).

The walls are painted, the cases installed, the objects are just about all set. MOTAC, the Museum of the American Cocktail, is about to open its doors. I was fortunate to spend a week last month sweating my ass off assisting curator Ted Haigh with a combination of grunt work and advising on collections management for the historical collections (that museum management degree comes in handy). I’m such a geek, I’m excited just thinking about it. Cocktails? Museums? How could I not be involved?

The New Orleans museum officially opens 10:30am on Monday July 21st, right after five days of rowdiness from the crowds visiting for Tales of the Cocktail. Me? I’m expecting the assembled cocktailians, bartenders, distillers, and cocktail laity to look a little green around the gills, but smiling nonetheless. Read the press release.

The museum’s mission
The Museum of the American Cocktail™ is a nonprofit organization founded by a group of cocktail historians and spirits experts, and dedicated to providing education in mixology and preserving the rich history of the American cocktail. Through its exhibit, educational seminars, and publishing program, the Museum advances the profession of mixology while stressing the importance of responsible drinking.

What might you see? The material culture of American cocktail history: art deco and mid century cocktail shakers, recipe books, vintage spirits in their original bottles, advertising, tiki ephemera, bartending tools, and more. Yes, there’s a moonshine section…well, prohibition, actually, but with a home-sized still diorama set up all 1920’s style.

Keep your eyes out as well for the history of the word "cocktail" itself. Competing theories abound about its origin and meaning, but so far nobody seems to have come up with an instance of the word in print before 13 May, 1806 when The Balance and Columbian Repository printed a tongue-in-cheek account balance of a politician's losing bid to gain office. The following week, the editor clarified what was meant by the word — Cock tail, then is a stimulating liquor, composed of spirits of any kind, sugar, water and bitters it is vulgarly called a bittered sling...
















So, 10:30 Monday morning. July 21st. Might need a hair of the bear that mauled me, but I'll be there. Will you?

Become a MOTAC member here. And check out Jill DeGroff's more recent pics of the build-out here.

.

Friday, May 16, 2008

Moonshining in the Blue Ridge

Much of what people think they know about moonshining
is shrouded in folklore and myth.

~ James Kelly
Director of Museums
Virginia Historical Society

First, there was the Indiana exhibit The Stills of Dubois County and now from the Virginia Historical Society comes Moonshining in the Blue Ridge, exploring the cultural and economic history of illicit distilling in the Old Dominion.

The press release reads in part:

In an effort to explore the 20th century more fully, the Virginia Historical Society (VHS) is hosting an exhibition about illegal alcohol distilling in southwest Virginia in defiance of the federal excise tax. Moonshining in the Blue Ridge, produced by the Blue Ridge Institute & Museum of Ferrum College, opens at the Society on Saturday, May 10, 2008, and explores more than a century of moonshining traditions in the Blue Ridge Mountains.

[snip]

Items on display in Moonshining in the Blue Ridge include actual stills, a full-size diorama of a still operation, still makers' tools, dozens of period photographs, video interviews with moonshiners and federal agents, documents, jars, and other memorabilia.

If you’re in or around Richmond, drop in and let me know how it is.

28 North Boulevard, Richmond, Virginia 23220
Mail: P.O. Box 7311, 23221-0311
Phone: 804.358.4901
Hours: Monday-Saturday 10-5 / Sunday 1-5

http://www.vahistorical.org

Monday, March 10, 2008

The Stills of Dubois County


Photo from Dubois County Museum (Jasper, Indiana)
Ray Hinkle, chief of the State Excise Police from Indianapolis,
Bruce Maxwell, captain from Indianapolis,
and Robert Nordhoff, lieutenant in charge of the Southern Indiana district
pose with stills confiscated in 1937.



Because of its popularity, the area's moonshine became widely known
as "Dubois County Dew" and was secretly hauled as far as Chicago, St. Louis and Louisville, Ky. In one city, some was delivered to a high-ranking member of the clergy with the code phrase:
"The hymnals have arrived."

~ Greg Eckerle

Al Capone must have been the busiest gangster in all the Midwest. It seems you can't meet an old-school moonshiner who didn't meet, see, or hear of ol' Scarface surfacing at still sites, bootlegging warehouses, and even Florida boat slips to help personally haul in the wet goods. When it comes to tales of moonshining and bootlegging, though, it's fair to say that stories outweigh facts by a wide margin. And who doesn't love a good story? I'm not saying Capone didn't do all those things, but even the sleep-prone George Washington didn't get around that much.

Not surprisingly, Capone gets mention in a new exhibit called "The Stills of Dubois County" at the Dubois County Museum in Jasper, Indiana. Unlike some of the more obscure places the crime boss was said to have appeared, it's not out of the question that he might have been down inspecting wares. Dubois County, after all, is not so far from Chicago and well within the old moonshine belt.

The exhibit explores the role of moonshine and moonshining in southern Indiana during the early twentieth century. If you're in the neighborhood, stop to check it out.


Dubois County Museum
2704 Newton St.
Jasper, IN 47546
812.634.7733