Bookshelf: Pitt Cue Co.: The Cookbook

“Can I ask you,” the clerk pressed, “as one American to another, why on Earth would you buy a British barbecue book?” For the past thirty minutes, I’d been pulling down books from the shelves of the Notting Hill bookstore where she worked and had set aside the lurid orange/red cookbook from the local Pitt Cue Co. on my ‘maybe’ stack. “Why waste your money? I mean, how are the Brits going to do barbecue better than anything than we can get back home?”

She had a point. When one thinks of the great barbecue centers of the world, Kansas City comes to mind. Austin. Memphis. Charlotte. American places, all. Pitt Cue, on the other hand, is a thirty-seat joint smack dab in central London; seat of an erstwhile Empire, sure, but cultural backwoods when it comes to barbecue.

Yet here’s the thing; you can find some good ‘cue in the backwoods.

Pickled Hot Dogs

The authors of the book — restaurateurs Tom Adams, Jamie Berger, Simon Anderson and Richard Turner — capture the spirit of barbecue better than some places I’ve sampled it in California, Pennsylvania, New Jersey, and, yes, even places like Texas, Georgia, and Kentucky where they know good ‘cue. The reason the book interested me — and why I bought it a few days later at another store — is that they start with a strong framework and adapt it to local tastes and ingredients. These guys know full well that good barbecue involves smoke and long, low cooking.

Recipes include pulled pig’s head crubeens (normally made only pigs’ trotters and not smoked or nearly so spiced), Buffalo pigs’ tails with Stilton sauce, porger sausage (made with bacon, pork belly, dry-aged beef rib-eye, and pork shoulder), duck giblet sausages, mutton ribs, crumbed pigs’ cheeks, habanero pigs’ ears, mashed potatoes tricked out various ways (with whipped bone marrow, burnt ends, or lardo and rosemary), and plenty of pickles, slaws, and sides.

The recipes in the Pitt Cue Co. cookbook may not be what old-timers expect of smoked meats in the bastions of American barbecue, but many techniques and flavors will be familiar to Americans, even if the details are not quite what we’d expect. Avid eaters will find a lot to like — and you boozers will notice that the boys aren’t shy about lashing whiskey and other spirits around with someone approaching abandon. The drinks chapter alone is 37 pages. Recipes for ‘sweet stuff’ call for bourbon, Pimm’s No. 1 (used both in a sorbet and in a meringue-and-fruit Pimm’s Mess), and Grand Marnier. In a nod to the wine jellies once so popular in the UK — but sticking with the pig and whiskey themes — there’s an old-fashioned jelly, made old-fashioned not with wine but with the ingredients one would find in an Old Fashioned cocktail.

Fennel Cured Scratchings

The only caveat — and this is not a negative, just a bit of a heads up — is that the Pitt Cue Co. book, while drafted for home cooks, is very much a product of a kitchen geared for commercial cooking. Many recipes link to each other and rely on precursor sauces, condiments, or other preparations. What looks like a fairly straightforward recipe may, in fact, call for prunes soaked in whiskey for a month or brine from pomegranate pickles or for chicken, hot sauces, deviled pigs’ trotters, barbecue rubs and sauces, etc.. All it means is that you’ll want to read each recipe all the way through before starting it…but you do that anyway, right?

The next time you tackle a pork shoulder for sausage making, don't you dare toss out that skin. Use it in the sausage, drop chunks of it into baked beans, or season it and roll it into a tight cylinder, cook it, slice it, and deep-fry it for a quick bar snack or appetizer. From Pitt Cue Co.: The Cookbook, here’s crunchy, salted pork skin with the faint Italian-sausage nip of fennel. The only change I'd make it to include a bit of crushed red pepper (such as Aleppo) in the dry cure.

Fennel Cured Scratchings

250 g pork skin, from a whole skinned pork shoulder
15 g Dry Cure (see below)
Oil for deep-frying 

Sprinkle both sides of the skin with the dry cure, then roll up the skin into a sausage (like an Arctic roll) so that the fat side remains on the inside. Place the sausage on a long length of clingfilm and roll it up very tightly. Tie off each end so that the roll is watertight and leave in the fridge for at least 24 hours. 

Bring a medium pan of water to a gentle simmer and add the roll of skin. Weight it down with a heatproof plate and simmer over a low heat for 1 hour, until the roll is squidgy and soft to touch. Remove from the pan and leave to cool, then refrigerate until you are ready to cook. 

Unwrap the skin from the clingfilm and slice the roll of skin into 5mm rings. Heat the oil to 180°C in a deep-fat fryer or large saucepan and fry the rings for 4-5 minutes, or until golden and crispy. The scratchings should not need seasoning.

For the dry rub, the authors suggest a 50:50 mix of Maldon sea salt and smoked Maldon sea salt. While we like using flaky Maldon salt, there’s no particular need to search out that and only that salt if it means paying exorbitant import prices. In the US, plain kosher salt is fine — and if you can get your hands on good smoked salt, do as they say and work it in as half the quantity. This version omits the 150 grams of brown/molasses sugar called for in their regular dry rub.

Pitt Cue Co. Dry Cure 

1 kilo/2.2 lbs salt
10g cracked black pepper
1 star anise, finely ground

10 g fennel seeds, toasted and crushed

Mix all ingredients in a bowl until they are thoroughly combined.

Tom Adams, Jamie Berger, Simon Anderson and Richard H. Turner (2013)
Pitt Cue Co.: The Cookbook
288 pages (hardback)
Mitchell Beazley
ISBN: 1845337565
£20.00

Available from Amazon.co.uk, Waterstones, or Books for Cooks.

A Bit of Seed Cake

Knock around old American and English cookbooks and household manuscripts for any length of time and you’ll come across recipe after recipe for seed cake. Not poppy seed cake, mind you; that still has adherents. Rather, I mean a decidedly more old-fashioned seed cake, dating to at least the 17th century, in which the nutty, musty, vaguely anise-like smack of caraway infuses the whole thing.

Yeah, yeah. You’ve had caraway in rye bread, maybe sauerkraut, goulash, or some cheeses. It’s integral to the taste of a Reuben sandwich, but those are all savory. It’s out of place in a sweet, right? Look, if you hate all those things, then skip seed cake; it might be caraway itself you don’t like. But if you do like them and just had never given any thought to sweetness and caraway, give it a try in cake.

Not just any cake, though. Not fancy, multi-tiered, extravagantly decorated cakes. Simple. In fact, the old recipes are essentially pound cakes with a small amount of caraway tossed in. I can’t quite emphasize that enough: a small amount. Poppy seed cakes sometimes call for so much of the blue-black seeds that they look as if someone dropped slices into a cinder pile. A caraway seed cake, on the other hand, should have a light scattering of seeds (fruits, really, but we call them seeds) peeking out of each slice. A teaspoon — at most one and a half — is enough to flavor a three-pound cake.

When I made a loaf yesterday, I overcooked it a bit when I was pulled away by a phone call from a UK distiller — the edges are a bit crusty, but the interior remains moist. Keep a closer eye on your cake than I did mine. And maybe turn off the phone.

Hundreds of recipes are available from the past several centuries, but contemporary chef Fergus Henderson of the London restaurant St. John has got a bit of reputation for his version which he pairs with a glass of Madeira. Me? I take mine with hot black tea.

Seed Cake 

9 oz/260g soft unsalted butter
9 oz/260g caster sugar
1 teaspoon caraway seeds
5 eggs, beaten
11 oz flour, sieved
1 Tbl baking powder
¼ tsp salt
5 oz/150ml full-fat milk (or use 4 parts whole milk, one part heavy cream) 

Grease a 16 x 10 x 8cm loaf tin with butter and line the base and sides with baking parchment. 

Cream the butter, sugar and caraways together either with an electric mixer or in a bowl with a wooden spoon until they are white and fluffy. Gradually mix in the beaten eggs, adding them little by little to prevent curdling. Then sift in the flour and mix until incorporated. Lastly add the milk. 

Transfer the mixture to the prepared tin and bake in an oven preheated to 350°F/180°C/ for 45-50 minutes or until it is golden brown and a skewer inserted in the centre comes out

~ From Fergus Henderson and Justin Piers Gallatly (2007) 

  Beyond Nose to Tail: A Kind of British Cooking Part II

Goes well with:

• Nigel Slater, another British writer, has a number of books out now. I've got UK editions of all of them. He's worth tracking down. Here was my introduction to his writing (and a recipe for chicken liver pâté). Why UK editions? When possible, I prefer them, especially since I use a combination of eyeballing ingredients and weighing them on a kitchen scale. American editions of books by metric-using authors, on the other hand, have such clunky, bizarre measurements: 2/3 cups plus 1 and one-half tablespoon of flour. What? Did...did you mean 100 grams? Intolerance for making things harder and more complicated might be a carryover from my science background.

Bookshelf: Lunch with the FT

Yuko Tojo,
granddaughter of
executed war criminal
General Hideki Tojo

The first inkling Yuko Tojo 
had of what really happened to her grandfather 
was when she was in fifth grade at school. 
Gripping her small white hands around her neck, 
the 65-year-old re-enacts the classroom scene of more 
than half a century ago when a boy stood on a chair 
before leaping to the ground with the cry: 
"Tojo hanged." 

The young girl looked up the strange word, 
kohshukei, in the dictionary 
and found a description next to the picture of 
a hooded man with a rope around his neck. 
'Then I knew the meaning,' she nods, 
releasing her grip 
to continue the dissection 
of her lamb fillet. 

~ David Pilling

'Let sleeping gods lie' reprinted in

Lunch with the FT: 52 Classic Interviews 

You might never guess it from the newspapers's terse Twitter feed, but London's Financial Times publishes great articles on art, literature, movies, music...and food. Some of the most enjoyable weekend writing tackle each week arrives on those peach-colored pages. Honestly, it's mystifying that the vibrant Weekend section gets such short shrift when it's one of the better reasons to read the paper.

Watson (minus Crick)

Financial updates aside, one of the best reasons to read the paper is the Lunch with the FT column, a regular piece with a simple premise: different journalists interview some well-known person over lunch. The Financial Times picks up the tab, except when a few feisty subjects simply refuse to let another pick up the bill. Subjects include politicians, actors, industrialists, musicians, writers, artists, war criminals, and their family members. Some are profiled early in their careers, others toward the end...and then there's the poet whose lunch with interviewer Nigel Spivey was among his very last. "Gavin Ewert is dead," wrote Spivey in one of the reprinted interviews.

The poet's death, last week, was hardly the consequence of lunch with the Financial Times. But, with hindsight, we gave him a grand send-off. 

He had just recovered from a prostate operation when we met in high summer. But intimations of mortality were not apparent. Far from it. 

Aiming to arrive on good time at the Cafe Royal, I found him already settled at the bar, fondling a large pink drink. Ah,' he said, without guilt. 'There you are.' 

'I say,' I said, with anguish. 'That can only be a Negroni.' It was indeed a Negroni, the gin and Campari mixture with a velocity of intoxication that is both feared and loved by those who know it. This lunch would be, in the poet's own phrase, 'a thick one'.

Diddy: "If I endorse a candidate right now,
I mean the race would probably be over."

And so is the book. I rarely board planes with printed books these days, but on flights in the last few weeks to Denver and Kansas City, I made an exception for Lunch with the FT, a birthday present. The articles are revealing and engaging, the subject a mix of those I recognize, some I'd never known existed, and others who could rise the ire of some readers.

There's a young(ish) Angela Merkel interviewed years before she became Germany's chancellor; Chinese novelist Yu Hua; painter David Hockney; Sean "P. Diddy" Combs (who refused to endorse a candidate during a 2004 interview because "It would sway people. If I endorse a candidate right now, I mean the race would probably be over."); Stephen Green, executive chairman of HSBC and an Anglican priest; Jennifer Paterson, one of the Two Fat Ladies cookery program; and the famously demanding British chef Marco Pierre White.

Others include George Soros, Twiggy, Queen Rania of Jordan, F. W. de Klerk, Dolce and Gabbana, Paul Krugman, Michael Caine, Jeff Bezos, Saif Gaddafi, Martin Amis, Steve Woziak, Martin McGuinness, Donald Rumsfeld....52 in all.

In a volume packed with fantastic one-liners and bons mots, one that sticks with me is from James Watson who, along with Francis Crick, discovered the structure of DNA in 1953. Nearly every high schooler knows the name, but few could pick him out of a lineup. When interviewer Christopher Swann asked back in 2004 whether a lack of public recognition ever bothered him, the scientist gave a rueful smith and admitted that "discovering the structure of DNA did little to help him propagate his own genes. 'There were no groupies,' he says. 'Well, I suppose there were two but you wouldn't have wanted to get too close to either of them.'" Of course, the co-father of modern genetics goes on to say that if technology permits it, women ought to be able to abort homosexual fetuses.

Jimmy Carter mulls political torture
over iced tea in Plains, Georgia.

Revealing and engaging, I said. Didn't say it was always palatable.

Through them all, there's food, cocktail, and wine. Whether it's Watson slicing into veal or Jimmy Carter hunkering down over a bowl of green tomato soup, food and drink are the excuse to conduct all the interviews. Some of these subjects are dead, some restaurants undoubtedly closed, but the prose remains. Cheers to Lionel Barber for pulling them together and James Ferguson for his illustrations.


Lionel Barber (2013)
Illustrations by James Ferguson
Lunch with the FT: 52 Classic Interviews
352 pages (hard cover)
Portfolio
ISBN: 1591846498
$35.00